Sketch comedy consists of a series of short comedy scenes, called sketches, commonly between one and ten minutes long. Such sketches are performed by a group of comic actors, either on stage or through an audio and visual medium such as broadcasting.
Often sketches are first improvised by the actors and written down based on the outcome of these improv sessions improvisation is not necessarily involved in all sketch comedy.
An individual sketch or vignette is a brief scene or skit formerly used in vaudeville and used today on variety shows, comedy programs, adult entertainment, talk shows, or certain children television programs.
Such a sketch can include footage of a man on the street on evening comedy television interview programs like the Tonight Show.
More serious sketch comedians differentiate their art from that of the skit, maintaining that skits tend to be a dramatized joke.
Sketch comedy has its origins in vaudeville and music hall, where a large number of brief, but humorous, acts were strung together to form a larger program. In England, it moved to stage performances by Cambridge Footlights, such as Beyond the Fringe, to radio.
Historically, the sketches tended to be unrelated, but more recent groups have introduced overarching themes that connect the sketches within a particular show, with recurring characters that return for more than one appearance.
In North America, contemporary sketch comedy is largely an outgrowth of the improvisational comedy scene that flourished during the 1970s, largely growing out of Chicago The Second City. British ensembles, in contrast, have more usually been built on writing talent - with writers often working in pairs.
Notable, contemporary, stage sketch comedy groups include The Second City, the Upright Citizens Brigade and The Groundlings.
Notable television sketch comedy shows include
A script is a document describing the narrative and dialogue of a comic book in detail.
It is the comic book equivalent of a television program teleplay or a film screenplay.
In comics, a script may be preceded by a plot outline, and is almost always followed by page sketches, drawn by an artist and inked, succeeded by the coloring and lettering stages.
There are no prescribed forms of comic scripts, but there are two dominant styles in the mainstream comics industry, the full script and the plot script.
In a plot script the writer breaks his story down into individual pages. The writer may include some dialogue but does not fully script the story until the artist has drawn the story in pencil.
Since Marvel Comics giants Stan Lee, Jack Kirby, and Steve Ditko preferred this method, this approach became commonly known as the Marvel method or Marvel House style.
Comics historian Mark Evanier writes that this new means of collaboration was born of necessity Stan was overburdened with work and to make use of Jack great skill with storylines.
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