Jokes can be employed by workers as a way to identify with their jobs. Use of humor and cracking jokes helps employees differentiate themselves from the people they serve while also assisting them in identifying with their jobs. In addition to employees, managers use joking, or jocularity, in strategic ways.
Some managers attempt to suppress joking and humor use because they feel it relates to lower production, while others have attempted to manufacture joking through pranks, pajama or dress down days, and specific committees that are designed to increase fun in the workplace.
The rules of humour are analogous to those of poetry. These common rules are mainly timing, precision, synthesis, and rhythm. French philosopher Henri Bergson has said in an essay: In every wit there is something of a poet. In this essay Bergson views the essence of humour as the encrustation of the mechanical upon the living.
He used as an instance a book by an English humorist, in which an elderly woman who desired a reputation as a philanthropist provided homes within easy hail of her mansion for the conversion of atheists who have been specially manufactured for her, so to speak, and for a number of honest folk who have been made into drunkards so that she may cure them of their failing.
This idea seems funny because a genuine impulse of charity as a living, vital impulse has become encrusted by a mechanical conception of how it should manifest itself.
The joke content is not what provokes the laugh, it just makes the salience of the joke and provokes a smile.
What makes us laugh is the joke mechanism. Milton Berle demonstrated this with a classic theatre experiment in the 1950 if during a series of jokes you insert phrases that are not jokes, but with the same rhythm, the audience laughs anyway.
A classic is the ternary rhythm, with three beats Introduction, premise, antithesis.
In regards to the Milton Berle experiment, they can be taken to demonstrate the concept of breaking context or breaking the pattern. It is not necessarily the rhythm that caused the audience to laugh, but the disparity between the expectation of a joke and being instead given a non sequitur normal phrase. This normal phrase is, itself, unexpected, and a type of punchline.
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