The American Standard Code for Information Interchange ascii pronounced is a character encoding scheme based on the ordering of the English alphabet. ascii codes represent text in computers, communications equipment, and other devices that use text. Most modern character encoding schemes, which support many more characters than did the original, are based on ascii. Historically, ascii developed from telegraphic codes.
ascii art a graphic design technique that utilizes computers for presentation and consists of pictures pieced together from the 95 printable characters defined by the ascii art Standard from 1963.
It is not uncommon in the history of art, especially in recent times, for disputation to take place as to whether something is art or not. Such disagreements may be referred to as classificatory disputes about art.
Classificatory disputes in the 20th century have included cubist and impressionist paintings, the movies, superlative imitations of banknotes, Conceptual art, and Video games.
Philosopher David Novitz has argued that disagreement about the definition of art are rarely the heart of the problem.
The passionate concerns and interests that humans vest in their social life are so much a part of all classificatory disputes about art. According to Novitz, classificatory disputes are more often disputes about our values and where we are trying to go with our society than they are about theory proper.
When the Daily Mail criticized Hirst and Emin work by arguing For 1,000 years art has been one of our great civilising forces. Today, pickled sheep and soiled beds threaten to make barbarians of us all they are not advancing a definition or theory about art, but questioning the value of Hirst and Emin work.
In 1998, Arthur Danto, suggested a thought experiment showing that the status of an artifact as work of art results from the ideas a culture applies to it, rather than its inherent physical or perceptible qualities. Cultural interpretation is therefore constitutive of an object arthood.
Art has been perceived by some as belonging to some social classes and often excluding others. In this context, art is seen as an upper class activity associated with wealth, the ability to purchase art, and the leisure required to pursue.
The palaces of Versailles or the Hermitage in St. Petersburg with their vast collections of art, amassed by the fabulously wealthy royalty of Europe exemplify this view. Collecting such art is the preserve of the rich, or of governments and institutions.
Fine and expensive goods have been popular markers of status in many cultures, and continue to be so today. There has been a cultural push in the other direction since at least 1793, when the Louvre, which had been a private palace of the Kings of France, was opened to the public as an art museum during the French Revolution.
Most modern public museums and art education programs for children in schools can be traced back to this impulse to have art available to everyone. Museums in the United States tend to be gifts from the very rich to the masses But despite, at least one of the important functions of art in the 21st century remains as a marker of wealth and social status.
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